He is a Fellow of Trinity College, London, the London College of Music, the Victoria College of Music (with Honours), and the National College of Music, in Piano Performing,
Philip is a Licentiate of the Royal Academy of Music, the Guildhall School of Music, and an Associate of Trinity College, London, in Piano Performing.
He is also an Associate of the Royal College of Music, in Piano Teaching, where Philip also took, and was successful in passing the Special Harmony Paper.
Philip holds a Bachelor of Music (Honours) degree from the University of Durham, and is a Graduate of the Royal Schools of Music (with Distinction in the Written Papers), where his extended essay on The Romantic Piano Concerto received critical acclaim.
He has a Postgraduate Certificate in Education from the University of Exeter, where his research into Musical Ability and its relationship with Mathematical & Linguistic Ability formed part of the award. Philip also holds a Certificate of Professional Development (RSA).
Musician & Music Writer
Philip holds a Licentiate of Trinity College, London, in General Musicianship for Teachers.
In December 2007 he became an Associate of the London College of Music in Jazz Piano (Performing), attesting to his all-round ability, and his ongoing desire to keep his performing, and hence teaching skills at the forefront of current practice.
Philip also holds the Teacher's Certificate of the Society of Recorder Players.
In December 2006 Philip was awarded a Fellowship in Music of Trinity College, London, in Music Theory, Criticism and Literature, for his Dissertation on, and London Presentation of The Piano Writing & Formal Structure in the Piano Concertos of John Field (1782 - 1837), and their subsequent Influences. The research originated from a book (unpublished) on the Concertos, which Philip had previously contributed to the Reference section of Plymouth Library Service.
In January 2010 Philip gained the Diploma in Professional Freelance Journalism from the British College of Journalism.